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El límite de lo nuestro: Where We Draw The Line performance ) of securitization against the

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Description

) of securitization against the entropy of a document's movement through space/time

evocative descriptions (‘vignettes’) aimed at laying out a vision of a modern

Her work is concerned with the politics of place

but it is also time to start queering our predicaments on design and architecture – starting with the toilet

El límite de lo nuestro: Where We Draw The Line performance ) of securitization against theAgustn Alcalde returns with a zine that pushes the boundaries of the city itself, to talk about intimate encounters in the Mexico City subway as a metaphor for an endless city. Description taken from the publisher.

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