Christien Meindertsma - Bottom Ash Observatory culture & society the aesthetic placement of a

the aesthetic placement of a plant in the museum made a statement

I read and smoke a bit more”)

struggle every day under precarious work conditions

needs and expressions

Christien Meindertsma - Bottom Ash Observatory culture & society the aesthetic placement of aFollowing a tour through the largest and most energy efficient waste to energy plant in the world, Dutch artist and designer Christien Meindertsma became intrigued with the dark residue leftover by the process of incinerating municipal solid waste. Using a 25 kilo sample of raw bottom ash, as it is called, she demonstrates the rich properties and versatility of this resource by successfully gleaning numerous materials from it by hand among them